The most obvious touchstones are Raccoon City, Umbrella, and Albert Wesker, yet anyone hoping for a more direct engagement with the series’ lore will surely be left disappointed. It’s a franchise-adjacent setup that mostly forges its own path while tangentially drawing from scraps of the source material. An adult Jade (Ella Balinska) is one such survivor, though her life is thrown into a tailspin once again when she’s chased down by Umbrella for reasons that become clear later. The T-virus has transformed the majority of the global population into “zeroes” – that is, zombies – while the few survivors eke out a miserable existence in walled refugee cities. Meanwhile in 2036, the world has gone to six shades of hell. It doesn’t take a genius to figure out where things go from here. There, the company is developing an antidepressant called Joy, which as it turns out contains a derivative of the dreaded T-virus and, in higher doses, causes the virus to become activated. ![]() To continue his work, Wesker is relocated to New Raccoon City in South Africa – a city bought and designed by Umbrella. Albert Wesker (Lance Reddick), a high-flying employee of slyly malevolent pharma-corp Umbrella. The 2022 narrative takes place three months before an apocalyptic event referred to as “The End,” focused on 14-year-old twin sisters Jade (Tamara Smart) and Billie (Siena Agudong), daughters of Dr. Resident Evil’s story unfolds over two far-flung timelines – 20. All in all, it’s neither as bad as you feared nor as good as you hoped. And yet, this new riff more often feels like a boilerplate sci-fi horror series cheekily bent to fit the franchise branding. Now it falls to TV to try and pick up the slack, then, with Netflix’s big-budget, eight-part take on the IP, developed by Supernatural showrunner Andrew Dabb. Anderson’s entertainingly campy 2002 movie, the Resident Evil films have rarely risen above low-effort schlock, and even last year’s more source-faithful Resident Evil: Welcome to Raccoon City failed to make much of a dent. A compilation of Azure Striker Gunvolt and Azure Striker Gunvolt 2.Shaun Munro reviews Netflix’s new live-action Resident Evil series…ĭespite being one of the most popular, iconic, and seemingly cinema-ready video game franchises there is, the track record of Resident Evil’s live-action adaptations to date is spotty-at-best, and that’s if we’re being really kind.īeyond Paul W.S.Windows, Mac, Linux/Steam OS, PS4, PS5, Xbox One, Xbox Series X/S, Nintendo Switch Windows, Mac, Linux/Steam OS, PS4, Nintendo Switch The base game and campaign as a part of Shovel Knight: Treasure Trove.ĭLC campaign as a part of Shovel Knight: Treasure Trove.ĭLC campaign and prequel to Shovel Knight: Shovel of Hope and Plague of Shadows, and a part of Shovel Knight: Treasure Trove.ĭLC and competitive multiplayer battle mode as a part of Shovel Knight: Treasure Trove. Windows, Mac, Linux/Steam OS, Wii U, 3DS, PS3, PS4, PS Vita, Xbox One, Nintendo Switch, Amazon Fire TV Games Games Developed and Published Title In addition to their own title, Yacht Club Games also published Azure Striker Gunvolt: Striker Pack in North America, an enhanced collection of the first and second Azure Striker Gunvolt games developed by the Japanese studio Inti Creates. The original game, which includes all content, was renamed Shovel Knight: Treasure Trove, and all campaigns and the Battle Mode are available to purchase separately. With each new campaign being as large as the original main game, the developers decided to change the economic model of Shovel Knight. Following the stretched goal of the Kickstarter campaign, the developers added more content to the base game from 2015 to 2018. They financed its development through a successful Kickstarter campaign, and released it on June 26, 2014. The company announced their first title, Shovel Knight, on March 14, 2013. ![]() Yacht Club Games was founded by former developers from WayForward Technologies who wished to work on their own titles.
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